Mark Westermoe – Reilly Method Head Drawing

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[FXGEAR] Mark Westermoe – Reilly Method Head Drawing introduce

As the protegé to the famous Fred Fixler, who worked directly under the legendary Frank Reilly, Mark has an unrivaled knowledge of the Reilly Method for drawing the head. In the 1980’s, his artistic prominence gave way to an illustrious career in Hollywood movie poster design. He later founded Associate’s in Art in Southern California, a top school for illustrators, from which many alumni became the “who’s who” in the fields of figurative art.

In this series, Mark introduces you to the Reilly Method, a way of understanding the structure of the head through the use of rhythms, to help project accurate proportions of your subject from any angle

[FXGEAR] Mark Westermoe – Reilly Method Head Drawing

Unit 1 – Anatomy

  1. Lesson Overview
  2. Front View of Skeletal Structure of the Head
  3. 34 View of Skeletal Structure of the Head
  4. Profile View of Skeletal Structure of the Head
  5. Profile View of Musculature of the Head
  6. Front View of Musculature of the Head
  7. 3_4 View of Musculature of the Head
  8. Front View of Surface Layer of the Head
  9. 3_4 View of Surface Layer of the Head
  10. Profile View of Surface Layer of the Head
  11. Profile View of the Vertebrae of the Neck
  12. Front View of the Vertebrae of the Neck
  13. 3_4 View of the Vertebrae of the Neck
  14. Musculature of the Neck
  15. Review and Assignment

Unit 2 – The Abstraction

  1. Lesson Overview
  2. The Reilly Abstraction of the Head
  3. Abstraction Draw-Overs
  4. Abstraction Draw-Over (Part 2)
  5. Portrait of Yoni (Part 1)
  6. Portrait of Yoni (Part 2)
  7. Portrait of Durmel (Part 1)
  8. Portrait of Durmel (Part 2)
  9. Portrait of Trace (Front View) Part 1
  10. Portrait of Trace (Front View) Part 2
  11. Portrait of Trace (Front View) Part 3
  12. Portrait of Trace (3_4 View) Part 1
  13. Portrait of Trace (3_4 View) Part 2
  14. Portrait of Trace (3_4 View) Part 3
  15. Tracing Abstraction on Ravji
  16. Tracing Abstraction on Bridget (Part 1)
  17. Tracing Abstraction on Bridget (Part 2)

Unit 3 – Light & Shadow

  1. Lesson Overview
  2. Shapes, Values, and Edges
  3. Form Lighting Demo (Part 1)
  4. Form Lighting Demo (Part 2)
  5. Ambient Lighting Demo (Part 1)
  6. Ambient Lighting Demo (Part 2)
  7. Rim Lighting Demo (Part 1)
  8. Rim Lighting Demo (Part 2)

Unit 4 – Underpainting Demonstration

  1. Lesson Overrview
  2. Materials and Laying in the Background
  3. Laying in the Main Facial Structure
  4. Adding Detail- Nose, Mustache & Eyes
  5. Refining the Darks
  6. Adjusting the Features
  7. Simplifying the Portrait

Unit 5 – The Planes of the Head

  1. Lesson Overview
  2. Front View Planes of the Head Demo
  3. 3_4 View Planes of the Head Demo
  4. Profile View Planes of the Head Demo
  5. Portrait of Keith (Front View) Part 1
  6. Portrait of Keith (Front View) Part 2
  7. Overlaying the Planes of the Head on Keith
  8. Portrait of Carlotta (3_4 View)
  9. Overlaying the Planes of the Head on Carlotta
  10. Portrait of Yoni (Profile View)
  11. Overlaying the Planes of the Head on Yoni

Unit 6 – Rendering Approaches

  1. Lesson Overview
  2. Down-shot Head Demo
  3. 3_4 Back View Head
  4. Up-shot Head Demo
  5. Vellum Rendering
  6. Vellum Rendering Technique – Part 2
  7. Facial Expression Rendering – Part 1
  8. Facial Expression Rendering – Part 2

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